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A small number of books covering the subjects of music engraving, music notation and manuscript layout, which have been widely referenced elsewhere, are included in the bibliography, as they form a useful foundation for any work on computerized music printing. Journal of Music Theory, Perspectives of New MusicĬonference proceedings, other review articles and dissertations have also been consulted. The large number of periodicals surveyed is due to the interdisciplinary nature of the subject.Īre the main sources, with a few references to each of numerous other periodicals, including
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Section 2.5 alphabetically lists a wide selection of past and present computer systems for printing music. This chapter therefore touches on matters connected with music-setting only where these are inextricably linked to other subjects within the province of this review. However, two major works of the literature have specifically covered the topic of computerized music-setting in great detail, including fairly recent developments.
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The three sections of the chapter heading - acquisition, representation and reconstruction of printed music - might well be supplemented by computerized music-setting, i.e., the design of software to implement the processes which normally fall to the music engraver. Within the subject of printed music, this review and the subsequent chapters concentrate, except where specified, on conventional Western music. For the latter, the reader is directed to frequent articles in theĪnd the recent review by Yavelow, which also includes a useful glossary of terms used in applications of computers to music. This boundary delineates the present study, which deals only with the graphical record, from aspects of sound synthesis and computer-assisted composition. In each application there exists a dividing line between music as sound and as print. The varied applications of computers to music include sound synthesis, computer-assisted composition, computer-aided instruction, music analysis and music printing. The Acquisition, Representation and Reconstruction of